Watercolour Artist · Midlands, England

Painting the
world in water
& light

Each painting is a quiet meditation — pigment meeting water, colours blooming unpredictably across damp paper. An honest conversation between intention and chance.

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Original
·
Watercolour
·
Works
Dunes at Hayle, Cornwall
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Moody Blues, Western Isles
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Seven Sisters, Sussex
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Luskentyre, Isle of Harris
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Nature Reserve
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Abstracted Beachscape, Scotland
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Blue Door
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Resting Boats on the Loch
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Lakeside, University Park, Nottingham
— Sold —
Cliff Walk, Devon
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Evening Light, Nature Reserve
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
By the Loch
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
From the Train to Bath
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Landscape
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Stonehenge
Unmounted · 11×15in
Mounted · 14×18in
Framed · 13×27.5in
Chalk Cliffs
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
The English Coast
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Lonely Boat
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Craxton Lock
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in
Kingfisher
Unmounted · 11×15in
Mounted · 14×18in
Framed · 16×20in

Drawn to
fleeting light

I've been painting in watercolour for a few years, finding endless fascination in the medium's unpredictability. I live in the Midlands, England and love sky watching, drawn by the luminous quality of British light. I have enjoyed time in the Scottish Highlands where there is endless inspiration of moody landscapes.

I work primarily on cold-pressed paper, building luminosity through layered washes.

3
Years painting
50+
Works completed
1
Exhibitions

The process

01
Observation

Every painting begins with time spent simply looking — watching how light moves, how colour shifts, how a landscape breathes.

02
Sketching

Loose pencil marks to place the composition. Nothing rigid — just enough structure to guide the first wash.

03
Wet on Wet

The paper is dampened and the first colours are laid in freely, blooming and merging. This is where the magic — and the uncertainty — lives.

04
Refinement

Once dry, darker tones and details are added in layers. Knowing when to stop is the hardest and most important skill.

Get in Touch

Commissions &
Enquiries

I accept a small number of commissions each year, and original works are available to purchase. Please get in touch if you'd like to discuss a piece or simply to say hello. You can email me directly at annecorr103 [at] gmail.com or use the form below.